Alexandra Bachzetsis’ latest work is a combined exhibition and live performances that explores the relationship between the staging of the excessive body and its consumption by the coveting gaze.
2020: Obscene
The idea for Alexandra Bachzetsis’s new piece came during the first lockdown; hence the reference to the year in its title. In it, she tackles extreme physical and emotional experiences, but also isolation and death. ‘2020: Obscene’ further investigates the possibilities of theatre with regard to seduction, attraction and games of sexual identity; and the performing body itself as a place manifesting the alienation and limitations of human existence. The performers are confronted with their own corporealities – with the contradictions between intuition and gesture, light and dark, score and script, as well as norm and form.
Supported by the Dr Georg and Josi Guggenheim Foundation
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Ill. above: Alexandra Bachzetsis. 2020: Obscene, Photo © Melanie Hofmann
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